Friday, June 28, 2019

Music for the Third Sunday after Pentecost: June 30, 2019



Opening Voluntary Lord, Thee I Love with All My Heart (Herzlich lieb)
Marienkirche in Gdańsk where Markull was principal organist.
     
setting, Friedrich Wilhelm Markull (1816-1887)
See the tune and text at ELW 750.

I did not know this hymn before I came to St. Mark’s. In 2008 I read an article by Mark Sedio (Cantor, Central Lutheran Church in Minneapolis) who said this was THE favorite communion hymn of his congregation. He said he knew this was true because they had done a survey. That was enough of an incentive for me to look it up, and now it has become one of my favorites.

It is the only known hymn text by Martin Schalling, a Lutheran pastor who knew Philipp Melancthon. A brief biography of Schalling can be found here: https://bach-cantatas.com/Lib/Schalling.htm

J. S. Bach used the final stanza in his St. John’s Passion. Hear and see the chorale here: https://www.youtube.com/watch?v=wSOTYg86AVs

Gathering Hymn Praise and Thanks and Adoration (Freu dich sehr)
Evangelical Lutheran Worship ELW 783
The text is by a Danish bishop, Thomas H. Kingo (1634-1703). The tune probably has its origins in a French folk song that was adapted by Louis Bourgeois (c. 1510 – c. 1560) for use in singing Psalm 42 from the Genevan Psalter.



Hymn of the Day Lead Me, Guide Me (Lead Me, Guide Me)
ELW 768

Communion Hymns
Let Us Ever Walk with Jesus (Lasset uns mit Jesu ziehen)
ELW 802
Oh Jesus, I Have Promised (Munich)
ELW 810




Sending Hymn Faith of Our Fathers (St. Catherine)
ELW 813
The first stanza is the traditional opening of the hymn as it is known by most people. The stanzas that follow are newly written by Joseph R. Alfred (b. 1947) who honors the faith of our mothers, and then moves to honor the faith of Christians living today, those who “still face persecution, imprisonment and even death for our faith.”

Closing Voluntary A Mystical Moment
Gordon Young


Sources include Hymnal Companion to Evangelical Lutheran Worship by Paul Westermeyer
Photo credit for the Marienkirche photo via Wikipedia: By Diego Delso, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=28153717

Friday, June 21, 2019

Music For the Second Sunday after Pentecost: June 23, 2019



Opening Voluntary Come, Ye Sinners, Poor and Needy (Arise)     
arranged by Larry Schackley
This classic American tune is expressed through a classic American musical idiom – jazz piano. The hymn is also known as “I Will Arise and Go to Jesus.” The first stanza is:
          Come, ye sinners, poor and needy. weak and wounded, sick and sore;
          Jesus, ready, stands to stand to save you, full of pity, love, and power.
Today we hear the story of the Gesarene demoniac who finds deliverance when he meets Jesus. This hymn seemed like the perfect fit and an apt reminder that Jesus still stands ready to save us.

Gathering Hymn God, Whose Almighty Word (Italian Hymn)
Evangelical Lutheran Worship (ELW) 673
The composer of this tune was an Italian, Felice de Giardini (1716-1796). He is best remembered as a violinist, but he also studied singing and the clavier – a forerunner of the modern piano. His musical compositions include operas and string quartets – something he did alongside his career as a concert violinist in London.

Hymn of the Day Praise the One Who Breaks the Darkness (Nettleton)
ELW 843
The tune (published in 1813) may be old, but the text is a modern one from 1986. Rusty Edwards, author of the text, is a Lutheran pastor who wrote this hymn while doing a Bible study on Jesus’ life and ministry. You can read more about Rev. Edwards here: https://www.hopepublishing.com/29


Communion Hymns
Borning Cry (Waterlife)
ELW 732
We Are Baptized in Christ Jesus (Ouimette)
ELW 451

John Ylvisaker is one of the most celebrated hymnwriters of recent times. He wrote the texts and the tunes of both of our communion hymns today. Ylvisaker died in 2017. Learn more about his life, and read his obituary, here: http://www.ylvisaker.com/?page_id=382



Sending Hymn Give to Our God Immortal Praise (Duke Street)
ELW 848

Closing Voluntary Trumpet Dialogue Processional on “Hymn to Joy”
setting, May Schwarz
This happy trumpet tune, composed for a wedding processional, is filled with images of nature - particularly appropriate as we move into summer.
May Schwarz is Professor of Church Music at Trinity Lutheran Seminary in Columbus, Ohio.


Tuesday, June 11, 2019

Music for The Holy Trinity: June 16, 2019

Opening Voluntary Our Father, By Whose Name (Rhosymedre)     
setting, Keith Kolander

Gathering Hymn Holy, Holy, Holy, Lord God Almighty! (Nicaea)
Evangelical Lutheran Worship (ELW) 413
Can you think of a better hymn for Trinity Sunday? Neither can I. The only question is whether to use it for the Gathering, Hymn of the Day, or Sending. It works in all three places!

Adoration of the Trinity
Albrecht Dürer (1511)
Hymn of the Day Come, Join the Dance of Trinity (Kingsfold)
ELW 412
According to Paul Westermeyer, perichoresis is a word used by theologians to describe “the interdependence of unity and Trinity.”  He says that “dance around” is a literal translation of the word.

How can that be expressed through dance? I can’t think of a better example than the Virginia Reel. (See it danced here:  
https://www.youtube.com/watch?v=gnLEnf-6S_U) Each dancer is independent, yet there is an interweaving and a constant flow of energy - especially in the do-si-do section.

Musical Offering Hymn to the Trinity (sung by the Festival Choir)
Michael Burkhardt
The text is based is by Kay Klinkenberg

Communion Hymns
Our communion music is cross-cultural this week.  The “Lamb of God” setting comes from the African-American inspired setting of Holy Communion in ELW.
“Oh, Sing to God” is an entrance hymn for a Spanish setting of Holy Communion by Carlos Rosas, who was born in Mexico but is now a U.S. citizen. Finally, “Many and Great” was written in the Dakota Native American language. The name of the tune is translated “the lake that speaks.”

Lamb of God (ELW Setting Six of Holy Communion
Oh, Sing to God Above (Cantemos al Señor – Rosas)
ELW 555
Many and Great, O God (Lac qui Parle)
ELW 837

Sending Hymn Immortal, Invisible, God Only (St. Denio)
ELW 834

Closing Voluntary Now Thank We All Our God (Nun danket alle Gott)
J. S. Bach / arr. Gerald Near
This is an organ arrangement of a choral piece from Bach’s cantata no. 79. It’s based on ELW 840. Listen for the melody to be played by the organ’s Festival Trumpet – part of our 2013 expansion of the organ.
Detail from a window at
First English Lutheran Church (ELCA)
Pittsburgh, Pennsylvania


Sources:
By Albrecht Dürer - _wGp9zTkz0OVqQ at Google Cultural Institute maximum zoom level, Public Domain, https://commons.wikimedia.org/w/index.php?curid=22189413
Hymnal Companion Evangelical Lutheran Worship, Paul Westermeyer

Monday, June 3, 2019

What Kind of a Lutheran Am I?

Whether I’m on social media, discussing genealogy, comparing spiritual journeys with a friend, or having a theological discussion, there is one place that is going to come up eventually - Bad Axe Lutheran Church.

And when it comes up, there’s a good chance I’ll get a funny look.  In recent years I’ve come to answer that look with a proud, “That’s right. I’m not just a Lutheran. I’m a BAD AXE Lutheran.”

Bad Axe Lutheran Church and Cemetery, Vernon County, Wisconsin
The Meaning of the Name
The first question is usually, “Where did that name come from?” My favorite version of the story behind the name is one my grandfather, Ellef Everson, used to tell.  He said there was a battle between warring Native American factions on that spot. At the end, the chief who lost the war, angrily threw his battle axe into the air and yelled “Bad axe!” It fell into the nearby crick and is probably still there to this day.

I don’t know if it’s true. Grandpa could be very convincing. What is true is that the church is situated in Purdy Valley, near the town of Viroqua, Wisconsin, on one of the banks of a fork of the Bad Axe River.  (“River” may be a bit of a misnomer because it’s really more of a “crick.”)

Christofer Ivarson's grave at Bad Axe.
Descendants of immigrants have to
learn to get used to spelling variations.
Early History of Bad Axe and My Ancestors
Bad Axe was founded in 1869, but their building (which my ancestors helped to build) wasn’t ready for use until 1874.  Since the church was founded by immigrants from Norway, the early services were held in Norwegian.

I was told that my Everson ancestors helped to build the church, but a history book prepared for the centennial anniversary in 1969 does not list any Everson (or Ivarson in its older spelling) ancestors in the charter members; yet, my third great grandfather, Kristoffer Ivarson Teigolo, is buried in the cemetery next to the church.

Another third great grandfather, Hans Jakobsen, IS listed as a charter member. Hans was married to Marie and they had a daughter named Anna.  Anna was married to Jens Ivarson (James Everson, 1840-1928), son of Kristoffer and Gertrude.  I have deep roots in this place.

These are my Everson ancestors who are buried at Bad Axe:
Third great grandfather Kristoffer Ivarson (often anglicized to Christopher Everson) 1813-1883 
Second great grandfather Jens Ivarson (angl. James Everson) 1840-1928
Great grandfather John Everson 1878-1933
Grandfather Ellef Everson 1910-1980

These are my Jacobson ancestors:
Grave of Hans Jacobson
Third great grandparents Hans (1814-1889) and Marie (1830-1905) Jakobsen
Second great grandparents Anna Mathilda Jacobson (1846-1928) who married James Everson

John Everson, my great grandfather, was married to Gertrude Tonette Ellefson. Their son, Ellef Johannes Everson, is my grandfather.

Ellef was baptized at Bad Axe and confirmed there in 1925.  I am fortunate to be his only grandchild who was both baptized (11/24/1963) and confirmed at Bad Axe - more about that later.
Ellef Everson's
Confirmation photo

My Mom, Ellef’s daughter, married my Dad at Bad Axe.

I was baptized there on November 11, 1963 by Pastor Julius F. Masted.

Okay, so there is the family history that ties me to Bad Axe.

The Bad Axe Quartet
It would be a sad thing to write a post about Bad Axe and not include information about the famous (at least locally) Bad Axe Quartet. My grandfather, Ellef Everson, was a part of the group along with Rudolph Skrede, LeRoy Tryggestad, and Lester Fauske.


The Bad Axe Centennial book describes how the quartet was formed:
At an outdoor Luther League meeting at the home of Lewis Hotlen in 1931, these four men sang together for the very first time. They sang “Life’s Railway to Heaven.” They had no practice and sang the song in unison, substituting for other singers who did not come. Pastor Nesheim heard them and said, “Come over and I think I can make a quartet out of you.”

One month later they made their first appearance, as the Bad Axe Quartet, at another outdoor League at the home of Ray Tryggestads. They sang, “Wayside Cross.”

In 1969 they had been singing together for 38 years. My grandfather also told me they placed first in Barbershop Quartet singing at the World’s Fair in Chicago, something I haven’t been able to verify.

Whenever people from the “olden days” have talked about my grandfather, they’ve always had to mention the Bad Axe Quartet.
 
The Bad Axe Quartet
From left: Rudolph Skrede, LeRoy Tryggestad, Lester Fauske, Ellef Everson
There was also a female version of the Bad Axe Quartet that my Mom sang in. It seems that singing music that bears witness to the gospel is in my blood.

My Early Relationship with the Church
My Dad was in the Navy so Mom spent a lot of time in Wisconsin while he was away. My earliest Sunday School years, which I have no memory of, were in Bad Axe.

Navy life called us away from Wisconsin. We lived in Maryland, and then Hawaii. I have memories of going to church during these years: Sunday School at Patuxent River Naval Air Station, a Church of Christ in Maryland, and even a Lutheran church in Ewa Beach, Hawaii.

But I can’t claim that any of these places had much to do with my formation as a Christian. (They probably did, but I don’t remember.)

Return to Bad Axe
In 1974 I had started the sixth grade and we moved back to Wisconsin where my Dad was the local Navy recruiter.

Within weeks I could recite the Apostles Creed and a sung version of the Kyrie I’ve never heard anywhere else.
O God, the Father in Heaven, have mercy upon us.
O God, the Son, Redeemer of the world, have mercy upon us.
O God, the Holy Ghost, true comforter, have mercy upon us.

Confirmation photo with Pastor H. Alfred Weltzin
The boy on the right and two girls on the lower right are my cousins.
I knew when to sit and when to stand, and every Sunday morning I was literally surrounded by relatives – both living and dead. So, it came to be that I started confirmation classes and was confirmed (along with three cousins) by Pastor H. Alfred Weltzin in 1978.

Pastor Weltzin was not the most exciting teacher, but he was thorough and made sure we understood the content of Martin Luther’s small catechism. He was also one of those people who used hymnody as a connection to theology and Christian living.  I remember several times his bursting into song. “Dare to Be a Daniel,” “Jesus, Priceless Treasure,” and “A Mighty Fortress” were never far from his lips.

Leaving Bad Axe
In 1980, at the beginning of my senior year of high school, my family moved from Wisconsin to Jacksonville, FL. By the summer of 1981, I was working in churches and then became a music major at Jacksonville University.

While I was a student at JU, I attended a choral evensong service at St. John’s Cathedral (Episcopal) in downtown Jacksonville. The occasion was the first Sunday of Lent and from the prelude to the retiring procession I was blown away.

St. John’s Cathedral is a grand structure in the Gothic Revival style built of Indiana limestone. The nave is ringed with immense stained-glass windows and home to an impressive organ and choir. (At the time, John Barry was in charge of the music program.) The liturgy and music moved me deeply and I began to hope that some day I might work in an Episcopal church.

I worked for several denominations over the years including the Christian Church (Disciples of Christ), Presbyterian, and United Methodist Churches. (Lutherans are scarce in Jacksonville and the opportunity to work for a Lutheran church never came up.) Finally, in 2000, I began to serve as the organist-choirmaster of St. Luke’s Episcopal Church. Even St. Luke’s was more liturgy than I was really used to, but I immersed myself in it and learned quickly. (Bad Axe was liturgical, but there wasn’t a lot of attention to detail or creative liturgical art. There are not many churches that sing as well as Bad Axe, but we didn’t have a choir.)

Just Like Home
St. Mark's Evangelical Lutheran Church
Easter 2019
Finally, in 2006, the position at St. Mark’s was announced.  (I had visited for a couple of Christmas Eve services in the 1990s and vividly remember thinking, “This is one of three jobs in town that I would really like to have one day.”) Being the cantor at St. Mark’s is literally a dream come true. Not only have I returned to the church of my youth, but to the church of my foremothers and forefathers. I truly feel at home at St Mark’s and in the Evangelical Lutheran Church of America.

My first Christmas at St. Mark's in 2006
Of course a red scapular with poinsettias only exists in the world of photo-ops.
Christmas scapulars are actually white for the liturgical season.
The Place Where My Thoughts Return
My thoughts often return to Bad Axe. I remember Sunday School with our teacher, Richard Parker. I remember saying the creed, catechism examinations, Sunday School assemblies, Christmas services, and lots of other things. The thing I remember most is Pastor Weltzin reminding us every Sunday, “God our heavenly Father hath had mercy on you, and hath given his only Son to die for you, and for his sake hath forgiven you all your sins.”

Pastor Daniel uses different words, but they always remind me how long God has been with me, and loved me, and forgiven.  I got that from Bad Axe.

That’s why I’m not just a Lutheran. I’m a Bad Axe Lutheran.

Bad Axe Lutheran viewed across Purdy Valley in the winter


Saturday, June 1, 2019

Music for the Seventh Sunday of Easter: June 2, 2019



Opening Voluntary This Joyful Eastertide (Vruechten) setting, Ronald A. Nelson
The tune is a 17th century Dutch tune paired with a text by George B. Woodward.  It’s filled with melismas (one syllable sung over many notes just like “Gloria” in “Angels We Have Heard on High”) that dance their way through this joyful hymn.  Sometimes this song is even called an Easter “carol.”

Listen for this tune to come back during the Psalm of the Day. We’ll use it for the refrain.

My plumeria are in bloom! A perfect flower for Easter.



Gathering Hymn O Morning Star, How Fair and Bright (Wie schön leuchtet) Evangelical Lutheran Worship (ELW) 308
This hymn is about at Lutheran as they come – often referred to as the Queen of the Lutheran Chorales.






King David window
in the vestry at St. Mark's


Hymn of the Day Rise, O Sun of Righteousness (Sonne der Gerechtigkeit)
ELW 657
But for you who revere my name, the sun of righteousness shall rise, with healing in its wings.” Malachi 4:2
The Bohemian Brethren is the first group known to use this 15th century secular tune for hymn singing.

According to Wikipedia, Otto Riethmüller, a German minister and hymn writer, compiled the stanzas from older sources. As a member of the Confessing Church, his intent was to alert German Christians to the dangers of the rising Nazi party.

The “sun of righteousness” image is also used in the Christmas hymn “Hark! The Herald Angels Sing.”




Musical Offering I Am the Vine (sung by the Festival Choir) Allen Pote
The text is based on John 15:5-13.

Communion Hymns
Carved Tulips at the Cathedral of Learning
University of Pittsburgh
In the Bulb There Is a Flower (Hymn of Promise)
This hymn is not in ELW. The words and music by Natalie Sleeth were originally composed as a children’s choir anthem. It can now be found in several denominational hymnals and is a favorite for funerals.

When in Our Music God is Glorified (Fredericktown)
ELW 850

Hymn texts are usually composed independent of any melody. This means that a metered text can be sung with any number of tunes. This morning we use Fredericktown. As we sing “Alleluia,” I’ll be praying for the 12 people who lost their lives due to gun violence in Virginia Beach yesterday.

“. . .even at the grave we make our song Alleluia, alleluia, alleluia.” Book of Common Prayer

The nave of St. Mark's Evangelical Lutheran Church
Easter Sunday
2019


Sending Hymn The Church’s One Foundation (Aurelia)
ELW 654

Closing Voluntary When in Our Music God is Glorified (Engelberg) Charles Callahan

“Alleluia” is prevalent in the Church’s song during Easter. This hymn text (which we sang at communion) returns in the postlude with its usual tune.